I chased sleep all night. We two went far & wide,
Through Time & times,
Old ghosts. He wore a cloak that made him look derelict,
Like a tramp.
He also had a cane & feigned a limp, but I
Wasn't fooled.
I asked him where you were. He said he didn't know.
But he would
Show me if I just followed him a few more years.
We went so far
I couldn't catch him, though his limp grew worse, but he
led me on.
In Athens, we were greeted like two old kind kings,
& asked to stay.
Everyone claimed to have seen you only yesterday.
"Yesterday's
A vast desert," I said. "There are so many town
To keep track of."
No one would listen. Sleep grew weary of the talk.
So we went on.
By now I only wished for him to let his guard
Down, so I could
Corner him. But he went on, kept out of reach.
My legs grew long
As bamboo stalks & thin as thoughts of money to
A man like me.
High in the hills of China, near that wall, I caught
Him. We went down
In a tide of dust & stones, a rage of ash & smoke.
It looked like war.
I dragged him by his feet across the continents,
& finally
Across the sea, the polar caps, the mountains, hills,
& dreaming rivers,
To this old town made out of songs, this street, this house,
This empty house.
This week, we happily feature another poem from our most recent issue, The Questionable Past (32.4): Richard Bausch's "Dream Poem 10." Richard Bausch is the author of eleven novels, seven volumes of stories, and, just out from LSU Press, a book of poems and prose entitled, These Extremes.
Featuring work by M.C. Armstrong, John W. Evans, Benjamin S. Grossberg, Becky Adnot Haynes, Nathan Hogan, Jonathan Johnson, Devin Murphy, Wade Ostrowski, and Sharon Solwitz... and an interview with Natasha Trethewey.

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"Dream Poem 10" comes from a longer series of dream poems; he has this to say about them:
"I wrote these poems in late July and early August of this past summer, when my wife and daughter were visiting family in Canada. I was alone in the house, trying to get back into the wing of work on a novel and spending a lot of time reading and watching old movies. That week and a half, as usual, I spent a lot of time in the provinces past midnight. It was in the night hours that I composed these poems. For me, poetry has always been the most demanding form of expression; my confidence as a writer is, I believe, healthily low, anyway. But regarding poems, I simply feel that my own efforts are seldom much beyond idiocy. I hope these are somewhat beyond it."